At 24, Gustavo Dudamel has engagements with leading orchestras from Berlin to Los Angeles, Milan to London. He is beyond doubt one of the most sought-after conductors of his generation. But just two years ago, the slight Venezuelan had never conducted a European orchestra.
A spectacular win at the 2004 Gustav Mahler conducting competition in Bamberg pushed Dudamel into the international spotlight. A few months later, he sprang in for the ailing Frans Brüggen to conduct the Philharmonia Orchestra in the closing concert of Bonn’s prestigious Beethoven Festival. The concert was such a success that he was invited to return the following year, this time with his own ensemble, the Simón Bolívar Youth Orchestra of Venezuela. The response was intense. This was a new way of looking at Beethoven, a New World freshness that the old world badly needed.
But Germany was not new territory for Dudamel. He had made his debut in Berlin’s Philharmonie with the Simón Bolívar Youth Orchestra of Venezuela as an 18-year-old, a year after taking on the job of music director. That appointment, in turn, was a natural development for someone who had been appointed music director of Venezuela’s Amadeus Chamber Orchestra as a 14-year-old. Such precocity is, as Dudamel tells it, quite normal in his home country. Only after taking up the Amadeus post did he begin formal instruction, having fallen into conducting quite by accident. At a rehearsal of the youth orchestra in his home town of Barquisimeto, the 12-year-old Dudamel stepped onto the empty podium when the conductor was ill.
Fonte: https://www.gustavodudamel.com/album/beethoven-symphonies-nos-5-7
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